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San Francisco
Category Drama
All Genres: Drama, Romance, Musical
Year: 1936
Country: USA
Runtime: 115 minutes
Languages: English
Director: W.S. Van Dyke
Sound: Mono
Taglines:
  • She Fell In Love . . . with the toughest guy on the toughest street in the world !
  • It started out like any other day!
  • They were born to fall in love!
  • Writing by: Robert E. Hopkins - (story) (as Robert Hopkins)
    Anita Loos - (writer)
    Produced by: John Emerson - producer
    Bernard H. Hyman - producer
    Cast: Clark Gable - Blackie Norton
    Jeanette MacDonald - Mary Blake
    Spencer Tracy - Father Mullin
    Jack Holt - Jack Burley
    Jessie Ralph - Mrs. Burley
    Ted Healy - Mat
    Shirley Ross - Trixie
    Margaret Irving - Della Bailey
    Harold Huber - 'Babe'
    Edgar Kennedy - Sheriff
    Al Shean - Professor
    Music: Herbert Stothart Edward Ward
    Official Website: Visit Website
     
    Plot Outline:
    A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.
     
    Plot:
    Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the $10,000 prize which Blackie throws to the floor. As she storms out of the hall a terrible rumble betokens the famous San Francisco earthquake. Buildings collapse, streets split wide open, the city burns, the army dynamites whole sections of town. After staggering around in a stupor Blackie finds Father Tim and the two of them find Mary at a Salvation Army camp. Backed by hundreds of others, they look out over the ruins which are gradually replaced by the shining new city with a reprise of the title song.



    wait for it, 11 July 2001
    Author: rsyung from North Hollywood

    San Francisco, like so many other films from this era, just reminds me again how movies today have lost the art of the build-up. They just hit you over the head with mind-numbing action from frame one. Hollywood(and audiences of today) would do well to watch classics like "San Francisco", where story takes precedence over special effects and when the effects do come, they are in service to the story. And they mean so much more and have so much more impact when held back until the last possible moment. Why can't we allow ourselves to be immersed in the story? Or are we just too impatient for it now?


    Movie Quotes: [first lines]
    Blackie Norton: Well sister, what's your racket?
    Mary Blake: I'm a singer!
    Blackie Norton: Let's see your legs!
    Mary Blake: I said, I'm a singer!
    Blackie Norton: Alright, let's see your legs!
    Crazy Credits:: We know about 1 Crazy Credits. One of them reads:
    After the credits, there is a brief aerial shot of Tokyo, with everything save the Tokyo Tower in rubble as sakura blossoms flutter by.
    Trivia: There are 10 entries in the trivia list - like these:
    • Spencer Tracy, playing a priest, makes a note to himself in one scene, "That Rooney kid skipped Mass again..." Two years later, he again plays a priest in Boys Town (1938) and is charged with reforming a boy played by Mickey Rooney.
    • Jeanette MacDonald's older sister, Blossom Rock, signed with MGM and was given the name Marie Blake. Jeanette's character in San Francisco was named Mary Blake.
    • The comment that Spencer Tracy makes about the "Rooney kid" is an ad-lib (watch Jeanette MacDonald's expression reacting to it). Tracy had worked with Mickey Rooney earlier that year in Riffraff (1936) and knew that director W.S. Van Dyke abhorred retakes, priding himself on bringing in productions fast and under budget - hence his nickname, "One-Take Woody".
    Rating:
    7.40/10 ( 1386 Votes )
    Hits: 171
    Trailer: 0 Reviews: 0 Comments: 0
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